Corrections or additions?

This article by Jack Florek was prepared for the January 23, 2002

edition of U.S. 1 Newspaper. All rights reserved.

The Power of Theater

These are very important times for genuine

artists,"

says Reverend Al Carmines. "I think that in times like these,

it is the artist’s responsibility to listen and not impose his or

her vision upon the public. Like Picasso’s `Guernica,’ people like

Wendy Wasserstein, Tony Kushner, Maria Irene Fornes, all know how

to listen to what is in the air, and respond to it

wholeheartedly."

As minister of Judson Memorial Church on the south side of New York’s

Washington Square, Carmines established the famed Judson Poets’

Theater

in the volatile 1960s. The Judson sponsored challenging theater

experiments

— many in musical form — including Carmines’ won adaptation

of Gertrude Stein’s "In Circles." He has won a number of Obie

awards

Carmines is one of the panel members joining an in-depth public

symposium,

"Theater: A Catalyst for Transformation in Times of Crisis,"

sponsored by the New Jersey Theater Alliance (NJTA). The symposium

takes place on Monday, January 28, at 7 p.m. at Crossroads Theater,

7 Livingston Avenue, in New Brunswick. It is free of charge, but

seating

is limited and reservations are required. (Call 973-593-0189). Joining

Carmines on the panel are playwrights Emily Mann and Deborah Brevoort,

and educators Israel Hicks and Kathleen Gaffney. Clement A. Price,

chair of African-American Studies at Rutgers University, will

moderate.

"In the days following September 11 our staff and colleagues

sought

an appropriate response to the tragedy," notes John McEwen, NJTA

executive director. "Our mission encompasses raising the awareness

of theater’s role in society and this symposium is an essential

response

in support of this objective."

In a telephone interview from his New York home on a sunny January

day, Carmines spoke of the impact the tragic events of September 11

have had, and continue to have, on the residents of New York.

"People are stunned. Afghanistan is so far away, but people still

feel it very deeply here in New York," says Carmines. "The

problem for many people is that sometimes in a crisis they can’t

verbalize

their feelings. I discovered this in my work at Judson. However,

certain

art forms, like dance, painting, or particularly abstract plays, can

provide people with a kind of comfort and courage that helps them

to get on with their lives."

Carmines believes that in times of crisis, the arts can have an

important

healing effect that surpasses even that of organized religion.

"I now run a small church on 57th Street, and I have found that

traditional worship services don’t work very well these days,"

says Carmines. "The healing just can’t be done with words. We

have special seminars for the members of my church, and we go to the

Whitney Museum or to a concert at Philharmonic Hall, places like that.

This gives them the strength to face what they have to face."

In the weeks following the World Trade Center attack,

Carmines performed a great many funeral and memorial services.

"People

wanted to honor their lost loved ones and needed some sort of

closure,"

Carmines explains. "I would have a reading from the Koran if the

person had been Muslim, or in Yiddish from the Old Testament if the

person had been Jewish. Sometimes the person had no religion at all,

and in that case I would have a dancer dance silently as a poem was

read. People were comforted. It was as if they needed permission to

continue to live."

Carmines was born in 1936 in Hampton, Virginia, where his father

worked

as a fishing trawler captain on the Chesapeake Bay. His mother was

a devout Christian, his father was a professed atheist, and Carmines

had deeply ambivalent feelings toward religion for many years. He

studied piano from the age of eight, and played, sang, and sometimes

tap-danced at school functions.

Carmines attended Swarthmore College where he met theologian Paul

Tillich one day after a lecture, who advised him to enter the

ministry.

After receiving his B.A. from Swarthmore in 1958, Carmines studied

with Tillich at Union Theological Seminary. "Tillich was the main

mentor of my life," says Carmines. "By his teachings, I

discovered

that I had permission to be an artist as well as a minister."

He received his bachelor of divinity degree in 1961 and his master

of sacred theology two years later.

But while still a divinity student, Carmines attended an art

exhibition

at the Judson Memorial Church where he saw one of Allan Kaprow’s early

"Happenings." He was soon hired by the Reverend Howard Moody.

"My first job at Judson was to simply go sit in cafes where

artists

would hang out," says Carmines. "I spoke with painters,

writers,

and playwrights. I learned about their concerns, and I then reported

to the church what the community was thinking about."

In 1961, Carmines established the Judson Poet’s Theater, dedicated

to showcasing fresh or neglected talent. It opened with Joel

Oppenheimer’s

"The Great American Desert" and Apollinaire’s "The Breasts

of Tiresias."

But it wasn’t until 1962 that Carmines began composing, creating music

for "Vaudeville Skit," "San Francisco’s Burning,"

"What Happened?" and winning an Obie Award for "Home

Movies,"

which ran for 72 performances at the Provincetown Playhouse.

But it was his work on an adaptation of Gertrude Stein’s "In

Circles"

that won Carmines the most attention. "We created that play in

a special way," he says. "It was a slow process, but we

allowed

each actor to choose what character they would play. Then I composed

music in the range of each character’s voice. Gradually we had a play.

We finally presented it at Judson Church at the end of the year. Clive

Barnes came to review it and gave us a marvelous write up."

He admits that few professional theaters could afford to take such

a delicately loving approach to creating their work, but feels that

the rewards far outweighed commercial considerations. "We had

no interest in taking the slick professional approach," says

Carmines.

"It was much more interesting to take the time to find out what

each person could do best, and then build the play around their

individual

gifts."

After its run at the church, "In Circles" played successively

at the Cherry Lane and Gramercy Arts Theaters. Carmines, who composed

and played a new opening song for every performance, received Vernon

Rice awards for composition and performance.

Carmines went on to teach at Columbia and NYU and continues to write

poems, operas, and plays, dividing his time equally between the arts

and his ministry. "I believe strongly that I have a calling to

give both gifts," he says.

The Princeton area is not unfamiliar to Carmines, who visits from

time to time with his colleagues when on religious retreats.

"I love Princeton. A funny thing happened to me there 45 years

ago," he says with a chuckle. "I went there to attend a

lecture

by a famous theologian. Afterwards, we ate at a restaurant that I

think was called the Princeton Inn and someone there sketched my

picture.

Well, 15 years later I got back to the same restaurant and there was

a man there who kept looking at me. Finally he came up to me and

asked,

`Were you in Princeton in 1964?’ I told him yes, just to attend a

lecture. He said, `Did you eat at the Princeton Inn?’ I told him yes

again. Then he went home and got the picture and gave it to me."

Carmines believes that, since September 11, people really are

different.

"I know the magazines and TV keep saying it, but it really is

true," says Carmines. "People are very different now. They

are still recovering from the shock, and this has made them reach

out. I find people to be much nicer to one another, more genuinely

concerned. I live in Manhattan Plaza and now I get on the elevator

and complete strangers say to me, `How are you? How are you feeling?’

And they really mean it. Before September 11, people just got on the

elevator, pushed their button, and went down."

But as the world stands now, Carmines believes that war will continue

to be a part of our daily lives. "People need to learn that love

is more important than hate," he says. "The only thing that

is going to solve the world’s problem is love. But I don’t think

humans

are capable of this now. It may take 1,000 years before they are.

Jesus said to love your enemies, and somehow we need to summon up

the spirit to love even the evil people of the world, because

ultimately

they are the world’s lost sheep."

Carmines recently taught a post-graduate course at Columbia University

on the study of evil. "It is very interesting to look at how

Americans

like to evade the concept of evil, both on a personal and societal

level," says Carmines. "We prefer to attribute it to genetics,

sociological, or psychological conditions, or to the results of

poverty.

But I believe that each of us has to be responsible for our own

self-absorbed

evil on a personal level, and do something about it. Even if it’s

only something small, like a touch or a thank you."

— Jack Florek

Theater: A Catalyst for Transformation, New Jersey

Theater Alliance , Crossroads Theater, 7 Livingston Avenue, New

Brunswick, 973-593-0189. Free, but reservations are required.

Monday,

January 28, 7 p.m.


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