Corrections or additions?

This article by David McDonough was prepared for the June 11, 2003

issue of U.S. 1 Newspaper. All rights reserved.

Radiant Sounds from Ireland to America

It’s pronounced "EE-fa," meaning

"radiant"

in Irish — and it fits. Aoife Clancy, who will be appearing at

Grounds for Sculpture in Hamilton on Saturday, June 14, has a voice

that shines like the sun after a summer rain.

Aoife Clancy has been a fixture on the folk circuit for over 10 years

now, first as a solo act, then as the vocalist for the traditional

Irish super-group, Cherish the Ladies, and since 1999 as a solo act

again. She has released three CDs, the first "It’s About

Time,"

in 1993, and the second, "Soldiers and Dreams" in 1997. Her

most recent album, "Silvery Moon," came out on Appleseed

Records

in August, 2002.

"`Silvery Moon’ is more me, I think," says Clancy in a phone

interview as she relaxes in a hammock in the back yard of her

Massachusetts

home.

"It really shows who I am. It’s a nice combination, and I had

time to think about the songs I wanted to put on there. I love both

contemporary songs and traditional ones, but when you are making a

CD, you’re concerned about the blend. If you do too many songs from

all over, it’s a mish-mash.

"I filled `Silvery Moon’ with songs I wanted like `The Sliprails

and the Spur,’ which is a beautiful poem written by the 19th-century

Australian poet Henry Lawson. And I wanted to do more contemporary

songs like `The Nightbird’ by Mark Simos — he’s a songwriter from

California now living on the East Coast."

In fact, "Silvery Moon" succeeds admirably in accomplishing

exactly what Clancy set out to do. The album is just about half

traditional,

from the Appalachian "Across the Blue Mountains" to the Scots

tale of how "The Earl of March’s Daughter" met an unhappy,

if not unexpected end — we are not giving too much away (or

"awa")

if we hint that love had something to do with it.

In a more contemplative vein, Clancy includes another Mark Simos tune,

"Giving." There is also a lovely version of "Kisses

Sweeter

than Wine," performed with her father, Bobby Clancy, and a

wistfully

optimistic song that she sings in memory of 9/11, "There is

Hope."

It’s a first-rate collection of songs, and all enhanced by Clancy’s

strong clear mezzo with its natural range.

"There is Hope" was written by the singer Robbie O’Connell,

Clancy’s cousin, and that is just the tip of the family iceberg. Two

other cousins, Donnchadh Gough and Donal Clancy, play with the

popular,

high-energy traditional band Danu. And her brother, Finbarr Clancy,

is readying a solo album.

But to Irish music fans of an older age, the name Clancy conjures

up the Clancy Brothers and Tommy Makem, the singers who introduced

a whole generation of Americans to Irish folk songs in the late 1950s

and early ’60s. The original line-up included Paddy, Tom, and Liam

Clancy. Tommy Makem left the group in the late ’60s, and Bobby Clancy,

who had made a name for himself as a solo act in his native land,

crossed the water to join his brothers. When Bobby Clancy died last

September, he left the memory of a warm voice and a winning stage

personality, and another legacy, his daughter, Aoife.

"But I was painfully shy," recalls Aoife Clancy. "I would

run upstairs and hide when I heard people coming in — I didn’t

know what to say to them. Still, I loved singing and acting, even

though I had to struggle to get up in front of people. A lot of people

in this business are like that."

Encouragement from her father helped. Bobby Clancy

toured

with his brothers and recorded, but nothing made him happier than

playing in pubs and at gatherings for his friends around their home

county of Tipperary, and he made sure Aoife enjoyed it too —

whether

she wanted to or not.

"When I was in my teens, and friends called at the door and were

going to the disco, my father would say, `What are you going to learn

at a disco? There’s a lovely seisiun (session, an informal

gathering of musicians) going on down the road. Why don’t you come

out and we’ll have a bit of craic (crack, a good time).’ I

didn’t want to go to the bloody seisiun, but I couldn’t say

no to him. And of course, I would end up having a great time, and

learning a lot."

A girl’s got to get away on her own sometime, though, and at 19, Aoife

made her way to Dublin, where she studied drama at the Gaiety Theater.

Her dream was to be a famous actress, but being a Clancy came into

play again.

"An old friend of my parents was living in Australia and belonged

to some sort of Irish society out there," she remembers. "They

were bringing Irish musicians over for St. Patrick’s Day. He heard

me and asked me to come over for six weeks. I packed my guitar and

off I went. I enjoyed it, and more work came, and I just ended up

taking that road. But I love acting, and I’ve always wanted to do

more of it. It’s hard to combine acting and music, and anyway, at

36, I’m too old."

Not long after, Aoife Clancy followed the familiar path to America.

"In Ireland," she says, "you have to be strictly

traditional

or strictly contemporary; it’s hard to combine the two. When I came

over here, I felt I got work much easier. On the other hand, there

were always people who said, `Oh, I thought you would do more Irish

stuff.’ Sometimes I think when you’re Irish, you’re branded with a

shamrock, and that’s a little frustrating. Now that I’ve been here

a few years, I’ve established myself and who I am, and I don’t have

to deal with that so much."

Clancy did turn back to the strictly Irish stuff, though, in 1993,

when Joannie Madden, the leader of Cherish the Ladies, asked her to

join the group. She ended up staying five years, but there was some

inner conflict. The singer in a traditional Irish band seldom performs

more than a few times per set, and that can be frustrating.

Aoife explains: "You’ll often see in folk groups that it’s the

vocalist who wants a solo career. I just felt like, do I want to

continue

doing just three songs a night? It was a big decision to make —

you’re playing these big houses and theaters, selling CDs, and the

fun; we used to have such fun on the road, but I just wanted to do

more of my own stuff. They were open to my doing more, but it was

me wanting to be off on my own."

She admits to missing the camaraderie, but has found solace in the

occasional tours she does with Pennsylvania-based singer Anne Hills

and the English vocalist Belinda "Bill" Jones, under the nom

de gig Faire Winds. And in her own appearances, Clancy usually has

a couple of musicians with her, although that can be a problem, too.

They tend to leave, just like a vocalist with a traditional band.

"It’s a constant struggle to find good musicians," she says.

"Just when you get somebody you’re happy with, then they start

their own group. You can’t blame them, but it’s `Here I go, looking

for more musicians.’ — Fortunately, I found Matt Heaton, a great

guitar player, and his wife Shannon, who plays flute, whistle, and

accordion, and I very much enjoy working with them."

There are two questions that always come up with Aoife Clancy. One

is, "What’s with the hair?" and the other, "Where do you

get your songs?" As far as we know, the questions are unrelated.

Aoife has a fine, wild, curly mane, that appears

differently

on the cover of each of her CDs. On "It’s About Time," she

let it run free. She tamed it for "Soldier and Dreams," as

she went for a sultry, come-hither look. By contrast, the hairstyle

on "Silvery Moon" is quite sedate, as she poses by the

railroad

track, with guitar, in approved folkie style. She laughs as the hair

question comes up again, and she confides, "Well, I’ve just got

it cut again. It’s short, it’s still curly, and" — her voice

sinks to a confidential whisper — "it’s a little blonde. Just

for the summer."

The songs? "Oh, you must be constantly out looking for new

material.

Constantly, constantly. It’s funny, but a lot of my friends are

singers

and you might hear a song and think that nobody’s doing it. But the

minute you hear a song that nobody has, you can be sure someone will

record it."

She’s trying her own hand at songwriting these days, but admits that

she is her own harshest critic. Her father’s recent death has inspired

her to write some very personal things.

"My father just passed away when `Silvery Moon’ came out. I had

said to the record company, `I want my father on it.’ There was a

song that we used to sing and I said, `That’s it.’ We sat down with

two mikes and did it. It’s a tribute to him, and I’m so glad he got

to hear it. `Always be yourself onstage,’ he used to say. I had gone

through a stage where I thought I had to act a certain way onstage.

My father said, `Be yourself and they’ll see that. If you are up there

and you’re having fun, they’ll see that.’"

One of Bobby Clancy’s last performances was at Paper Mill Playhouse

in Milburn, in concert with his musical offspring. The look of pride

on his face as he stood watching his children was evident. It was

the smile of a man who knows he has passed along something good.

Through

Aoife Clancy, through the songs he taught her and the songs she has

learned on her own, and the fun that she has onstage, that smile lives

on.

— David McDonough

Aiofe Clancy, Grounds for Sculpture, 18 Fairgrounds

Road, Hamilton, 609-689-1089. Celtic and acoustic music co-sponsored

by Concerts at the Crossing. Dinner by Souffle in the cafe before

the concert. Jennifer Erb opens. Concert $18. Saturday, June 14,

7:30 p.m.


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