Corrections or additions?

This article by Richard Skelly was published in U.S. 1 Newspaper on

July 15, 1998. All rights reserved.

Jon Lucien & His Groove

Vocalist Jon Lucien has had more than his fair share

of grief in his 56 years. Yet he laughs easily and often while

reflecting

on his life and times. A free spirit, Lucien came to New York in 1962

from the British Virgin Islands. After 14 years in New York, he moved

to Los Angeles. Since then the vocalist, composer and

multi-instrumentalist

has lived in Portugal, spent part of the 1980s back home on the island

of Tortola, and, for the last two years, he has been based in Las

Vegas.

On July 17, 1996, Lucien’s daughter, Dalila, was among the hundreds

who perished on TWA Flight 800, bound for Paris when it inexplicably

burst into flames and fell into the ocean off Long Island. Some years

ago Lucien lost his other daughter, Zeudi, who was only two years

old when she drowned in the family pool.

"Singing and composing has been a sort of therapy for me," he

explains in a telephone interview from his home in Las Vegas.

"That

was my second daughter that I lost," he says. "I took it

hard."

The resulting stress and depression left him without sight in his

right eye. Lucien dedicates "Endless Is Love," his current

album for the Newton-based Shanachie Records, to his daughter "and

to all who perished on TWA Flight 800, July 17, 1996."

Lucien and his band will play Club Bene on Friday, July 17, two years

to the day after the Flight 800 tragedy. Does he plan to make some

sort of statement of remembrance from the stage?

"I don’t get into all of that, I don’t like to drag my life out

in the street like that," he says. While the death of his second

daughter, who would have been 18 that September, hit him really hard,

Lucien takes comfort in the fact that his two sons, Hanif and Jamil,

are still with him.

"I can’t just walk around draggin’ for the rest of my life,"

he says of the long road to recovery from his daughter’s tragic death.

"I don’t think my daughter would want me to be like that."

Growing up on on the island of Tortola, Lucien recalls he was exposed

to a wide variety of South American musical styles, including music

from Puerto Rico, Cuba, and the Dominican Republic, where his father

was born. His father led a Latin jazz band. Lucien recalls getting

up on the couch to play along on the upright bass at family jam

sessions.

His father also taught him piano and guitar. He earned a reputation

around the Virgin Islands as a bassist who could sing at the same

time, he recalls.

"I started playing very young, when I was 9 or 10, I’d plunk along

with him on bass," he recalls, "We listened to short wave

radio and I’d get to hear people like Jerry Butler, [gospel singer]

Mahalia Jackson, Fats Domino, Ruth Brown, that whole classic R&B era

there."

Being surrounded by so many musicians from his father’s Latin band,

who would frequently stop by the house for impromptu jam sessions,

"music just became a part of my life. My father would say, `Okay,

tonight, you’re going to play piano.’"

Lucien’s big break as a vocalist didn’t come until after he had been

living in New York City for some time, in the early 1970s, when he

sang at the Apollo Theater. "I had been playing weddings and bar

mitzvahs before," he recalls, "I had a record out and nothing

really happened with the record, but I got attention and the chance

to sing at the Apollo." Even though Lucien spent many a long

evening

at the Apollo as a patron, not being from this country, he didn’t

realize that the chance to perform there was considered the apex of

their careers for many American singers.

"When I finished singing, the owner of the Apollo, while he was

paying me, said, `You’ve passed the test.’ I said, ‘What test?!’ I

didn’t know I was under such scrutiny," he says, laughing.

After performing on weeknights in New York jazz clubs with people

like harmonica player Toots Thielemans, trumpeter Joe Newman and other

well-known jazz personalities, Lucien would find himself singing at

weddings and bar mitzvahs on the weekends in order to live

comfortably.

"I did well. I was able to buy me a brand new car and live in

Forest Hills and all that kind of stuff, even though sometimes I would

cry after gigs," he recalls, laughing.

Why would he cry if he was doing so well financially? "Because

the level of musicianship, you know. Sometimes you would get together

with guys for a wedding and the music would really swing, and other

times, you’d get together with some guy who’s a principal at a school

in the daytime," he says, laughing. "He doesn’t have much

interest in what he’s doing and the level of musicianship would be

so poor.

"It would go from one extreme to the other, these great club dates

during the week and then these weddings and bar mitzvahs on the

weekends,"

he says.

In 1972 Lucien’s RCA Records effort, "Rashida," put him on

the musical map as a vocalist and helped him put an end to his weekend

wedding business. The album was nominated twice for a Grammy for the

arrangements, he notes. In 1976, Lucien moved to Los Angeles and

quickly

became part of a growing West Coast jazz clique of studio musicians.

He worked with pop and jazz musicians, including the Pointer Sisters,

Sarah Vaughan [the Newark-raised jazz vocalist], Herbie Hancock, Wayne

Shorter, Stanley Clarke, and Oscar Brashear.

At Club Bene, a room he says he enjoys playing because of its spacious

stage and good acoustics, Lucien will be accompanied by Bill O’

Connell,

piano, Greg Jones, bass, Myra Casales, percussion, Kim Plainfield,

drums and Dan Carillo, guitar. "I always have a wonderful time.

Some people come up from Virginia and Philadelphia to see me,"

he says.

Like Nancy Wilson, Lucien’s vocal leanings defy easy categorization.

He sings jazz, but he also sings pop tunes and ballads. Like Wilson,

he doesn’t want to limit himself to jazz and blues songs.

"I’m a singer. I sing whatever I have to sing, whatever I want

to sing," he explains. "Endless Is Love" demonstrates

his eclectic tastes, with familiar Bacharach-David compositions like

"The Look of Love," Christopher Cross’ mega-hit,

"Sailing,"

in addition to Lucien’s own compositions. "But don’t call me a

pop singer," he continues.

"I’ve always been in this Catch-22 because I’m not exactly a jazz

singer. Because I do so many varieties of singing, it presents a

problem

of what is Jon Lucien? And the answer is Jon Lucien is a

composer

and musician and vocalist who’s got his own groove."

— Richard J. Skelly

Jon Lucien, Club Bene, Route 35 South, Sayreville,

732-727-3000.

$25. Friday, July 17, 9 p.m.


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