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Prepared for the September 20, 2000 edition of U.S. 1 Newspaper.

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From Solitary Confinement, the Poets Among Us

John Cage once observed that "Breaking laws is

what poetry is." The Geraldine R. Dodge Poetry Festival, the

largest poetry event in North America that takes place here in New

Jersey once every two years, may not break any criminal laws but it

does come close to defying the laws of probability. Who ever imagined

that you could gather together 100 solitary poets and create a

festival that would attract thousands?

The Dodge Festival offers no less than four days of non-stop poetry

readings, poetry discussions, poetry conversations, and poetry

workshops. Each day dozens of simultaneous poetry-centered events take

place at sites throughout the historic Waterloo Village. Readings by

featured poets and other major events take place in the main concert

tent that seats 2,000.

Because the daytime schedule offers a nearly continuous assortment

of multiple simultaneous options, even the most avid and dedicated

festival-goer can succeed in experiencing only a small fraction of

the total choices available. "In this regard, the Dodge Poetry

Festival is like the unending river which is poetry itself," say

its organizers. It features music by groups that include the Paul

Winter Consort and Jenny Bray and her Band. And there’s a notable

poetry bookstore too.

This year’s complement of featured poets numbers no less than 22


poets from across the spectrum of interests and ethnicity. They are

Chinua Achebe, Coleman Barks, Toni Blackman, Gwendolyn Brooks, Billy

Collins, Dianne di Prima, Mark Doty, Edward Hirsch, Marie Howe, Yusef

Komunyakaa, Stanley Kunitz, Rika Lesser, Thomas Lux, Heather McHugh,

Pat Mora, Alicia Ostriker, Goran Sonnevi, Gerald Stern, Sekou


Anne Waldman, C.K. Williams, and Nellie Wong. Add 38 more poets


in the festival under the moniker, "The Poets Among Us."

The festival also has music by the Paul Winter Consort, Sekou Sundiata

& his Band, Jenny Bray and her Band; jazz and hip hop from Roots,

Andean music by Yarina, and choral music by Harmonium. Storytelling

from Japan is by Motoko, African-American stories by Bumpus Eshu,

and Native American stories by Dovie Thomason.

Featured poet Alicia Suskin Ostriker of Princeton, returning for her

fourth appearance, says she values the Dodge Festival for its poets,

its diversity, its young people, and its camaraderie.

"Part of what makes it so extraordinarily valuable are the days

for students and teachers," says Ostriker. "This is something

unique, and from my position teaching creative writing at Rutgers,

I can tell the difference with those students who have had real


with poetry during their high school years."

The festival’s High School Student Day, which attracts about 4,000

students, is Thursday, September 21; Teacher Day, which hosts about

2,000 teachers working at every level, elementary through college,

is Friday, September 22.

Ostriker who begins her festival residency with sessions with students

on Thursday, give a reading in the big concert tent on Thursday, at

7 p.m. She also joins a number of poets’ panels including "Poetry

and Politics" with Diane di Prima, Thomas Lux, and Pat Mora, on

Thursday, at 3 p.m. And on Saturday morning at 9:30 a.m., she is one

of four poets — with Rika Lesser, Anne Waldman, and C.K. Williams

— addressing the topic, "Poetry and Madness."

Ostriker received her second National Book Award


when she was a finalist for the 1998 award for poetry for her


"The Little Space: Poems Selected and New, 1968 to 1998,"

published by the University of Pittsburgh Press. The collection spans

30 years of her writing career, comprising works that probe the

meaning of childhood, family, marriage, motherhood, art, history,

politics, and religion.

"The whole immersion in poetry is a wonderful aspect," she

says. "It really is a festival around the spoken word. And it

doesn’t only have to do with stars. There’s a good deal of opportunity

for interaction, up, down, and sideways. People who come to the

festival are not just looking for star performances, but to hear poets

speak together on panels and to meet them informally."

Considering the solitary nature of the poet’s work, how does the

festival work?

"Poets are very solitary and lonely people because the writing

comes from deep within the self," she replies, "but on the

other hand, it’s very important to have relationships and a sense of

community with others. Partly this just for one’s sanity, because

if you were purely by yourself you’d surely go mad. Also, without

colleagues, it’s much harder to get perspective on your own work."

Ostriker says her work at the festival has many personal benefits.

"A wonderful part of the festival to meet people whose work I

admire and who I don’t otherwise get a chance to see," she says,

rattling off the names of Coleman Barks, Gwendolyn Brooks, Rika

Lesser, and Nellie Wong as some of the poets who she knows only from

the printed page.

The festival’s "Poets Among Us," are lesser-known poets who

are emerging as important voices and teachers. "Many of the

up-and-coming poets are from this area, and many of the area poets I

know and have friendships with," she says.

Ostriker thinks poetry is thriving, largely because of pop culture.

"I think poetry really is growing, and that is partly because

of the populist dimension of poetry slams, as well as poets in the

schools programs, all of which are very healthy. Poetry today is a

place for young people to make real art," she says.

— Nicole Plett

Dodge Poetry Festival 2000, Waterloo Village, Stanhope,

201-507-8900. Tickets through Ticketmaster, 201-507-8900. Website: Single admissions $12 to $20; $50 four-day

pass; $28 two-day pass; discounts for students & seniors. Thursday

through Sunday, September 21 through 24.

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