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Published in U.S. 1 Newspaper on February 16, 2000. All rights

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For Pianist Nazar, a Stop at a Hometown Station

Marie Nazar has now emerged as the name by which pianist

Mariam Nazarian prefers to be known as a performing artist. The

16-year-old

Plainsboro resident, who made her Carnegie Hall debut in October (U.S.

1, October 20, 1999) with Bach’s "Goldberg Variations" using

the invented name, plays at Nassau Presbyterian Church Sunday,

February

20, at 5 p.m., using her original name.

The preference for the name Marie Nazar represents the triumph of

her management’s advice over Nazarian’s original adverse reaction

against abandoning her identity. She plays the Nassau Presbyterian

concert as Mariam Nazarian because it was scheduled before the name

change arose. Her CD of the Bach "Goldberg Variations" to

be made available at the concert is to be marketed with the Nazar

name.

"I’ve been busy since Carnegie Hall," says Nazarian, who has

been working on pieces for the Princeton concert since mid-December.

She plays Mozart’s Piano Sonata in F major, K. 332 and Debussy’s

"Suite

Bergamasque."

"The Carnegie Hall concert made me look differently at my standing

in the music world," Nazarian says. "The big gain was that

I got experience. It’s very rare to have a performance there at 16,

and I have to treasure that moment." She performed commendably

in the concert. To quote from my own review for Classical New Jersey,

Nazarian’s performance, "was marked by clarity, accuracy,

nimbleness,

pace, and sensitivity. She has a pleasing sound without harshness.

The performance was a tour de force."

Writing in the New York Times, James Oestreich, in a mean-spirited

article (October 28, 1999) took a different view of the concert. In

a prominently-placed story, which included an attractive color

photograph

of Nazarian, he said almost nothing about her playing and found it

objectionable that she attracted a rather full house, while a favorite

harpsichordist of his, who performed in its smaller Weill Recital

Hall, drew only a scanty crowd. At any rate, my guess is that rather

than remembering Oestreich’s comments, readers are likely to recall

that Nazarian was featured in an important article, that she looks

appealing, and that her selecting Bach’s "Goldberg Variations"

as a debut piece was a spunky act.

Nazarian is philosophical about what Oestreich wrote.

"I’m very sure in my interpretation. His article is just another

opinion. He could have been more realistic and mentioned good things

as well as bad. His article dealt with commercial success, not musical

points. His comparison was unfair. He compared me to a 39-year-old

harpsichord playing a Bach Partita in Weill. We worried about it.

But it passed by. It’s three months later now, and the article is

not a station where we have to stop. I’m sure that there are other

critics in the future who will react the same as Oestreich or even

worse."

— Elaine Strauss

Mariam Nazarian, Nassau Presbyterian Church, 61

Nassau Street, 609-924-0103. The free concert takes place in the

church

sanctuary. A dinner follows in the church assembly room for $5; dinner

reservations are required. Sunday, February 20, 6 p.m.


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